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Saskatoon Blues Society
Please take the time to scroll down this page to see what we are are currently planning and to see pictures and information about some of our past successful events and local entertainment listings. We are working on a redesign of this web page and there will be a separate page for current events, past events, and local entertainment listings.
Plan Ahead:
Thursday, March 3rd to Sunday, March 6th
THURSDAY, MARCH 3rd
Cosmo Senior Hall
- 'The Blues Sampler'beginning at 8:00pm with a cross section of local Blues artists performing 45 minute sets beginning each hour. So far, the confirmed acts are:
FRIDAY, MARCH 4th
SATURDAY, MARCH 5th
Bassment (Acoustic Blues Venue)
Cosmo Senior Hall (Electric Venue - Plugged in and turned up!)
SUNDAY, MARCH 6th
Sunday Evening Windup at Winston's in the Senator Hotel.
If you are interested in being a volunteer for 2005's festival send your reply to
festival@saskatoonbluessociety.ca
Scarlett Washington & Whiteley
at 2nd Avenue Grill
on Friday, November 26th
Dinner will be served at 7:00.
Music and entertainment at 8:30.

Together they create a
special magic that "just makes you feel great".
You shoulda been there...
GUY DAVIS
at The Bassment (245 Third Ave. S.)
Whether Guy Davis is appearing on "Late Night With
Conan O'Brien" or David Dye's "World Café" radio program, in
front of 15,000 people on the Main Stage at the Winnipeg Folk Festival, or an
intimate gathering of students at a Music Camp, Guy feels the instinctive desire
to give each listener his 'all'. His 'all' is the Blues. The routes, and roots,
of his blues are as diverse as the music form itself. It can be soulful, moaning
out a people's cry, or playful and bouncy as a hay-ride. Guy can tell you
stories of his great-grandparents and his grandparents, they're days as track
linemen, and of their interactions with the KKK. He can also tell you that as a
child raised in middle-class New York suburbs, the only cotton he's personally
picked is his BVDs up off the floor.
He's
a musician, composer, actor, director, and writer. But most importantly,
Guy Davis is a bluesman. The blues permeates every corner of Davis'
creativity. Throughout his career, he has dedicated himself to reviving the
traditions of acoustic blues and bringing them to as many ears as possible
through the material of the great blues masters, African American stories, and
his own original songs, stories and
performance pieces.
His influences are as varied as the days. Musically, he enjoyed such great blues
musicians as Blind Willie McTell (and his way of story telling), Skip James,
Manse Lipscomb, Mississippi John Hurt, Elizabeth Cotton, and Buddy Guy, among
others. It was through Taj Mahal that he found his way to the old time
blues. He also loved such diverse musicians as Fats Waller and Harry
Belafonte.
Throughout his life, Davis has had overlapping interests in music and acting.
Early acting roles included a lead role in the film "Beat Street"
opposite Rae Dawn Chong and on television as 'Dr. Josh Hall' on "One Life
to Live." Eventually, Davis had the opportunity to combine
music and acting on the stage. He made his Broadway musical debut in
1991 in the Zora Neale Hurston/Langston Hughes collaboration
"Mulebone," which featured the music of Taj Mahal.
In 1993 he performed Off-Broadway as legendary blues player Robert Johnson in
"Robert Johnson: Trick the Devil." He received rave reviews and
became the 1993 winner of the Blues Foundation's "Keeping the Blues Alive
Award" presented to him by Robert Cray at the W. C. Handy Awards ceremony.
Looking for more ways to combine his love of blues, music, and acting, Davis
created material for himself. He wrote "In Bed with the Blues: The
Adventures of Fishy Waters" -- an engaging and moving one man show.
The Off-Broadway debut in 1994 received critical praise from the "New York
Times" and the "Village Voice".
In the past few years, Davis has concentrated much of his efforts on writing and
performing music. In the fall of 1995, he released his Red House records
debut "Stomp Down Rider," an album that captured Davis in a stunning
live performance. The album landed on top lists all over the country,
including in the "Boston Globe" and "Pulse."
Davis' next album, "Call Down the Thunder," paid tribute to the blues
masters, but leaned more heavily towards his own powerful originals. The
electrifying album solidified Davis' position as one of the most important blues
artists of our time. It was named a top ten album of the year in the
"Boston Globe" and "Pulse." "Acoustic
Guitar" magazine called it one of the thirty essential CDs from a new
generation of
performers.
Davis' third Red House disc, "You Don't Know My Mind" explodes with
passion and rhythm, and displays Davis' breadth as a composer and powerhouse
performer. It was chosen as 'Blues Album of the Year' by the Association
For Independent Music (formerly NAIRD). The "San Francisco Chronicle"
gave the CD four stars, adding, "Davis' tough, timeless vocals blow through
your brain like a Mississippi dust devil."
Guy's fourth album, "Butt Naked Free", was produced by John Platania,
former guitarist for Van Morrison. It included musician friends such as Levon
Helm (The Band), multi-instrumentalist, Tommy "T-Bone" Wolk (Hall
& Oates, Carly Simon, 'Saturday Night Live' Band), drummer Gary Burke (Joe
Jackson), and acoustic bassist, Mark Murphy (Walt Michael & Co., Vanaver
Caravan). The musicians all performed "Waitin' On the Cards to Fall"
from this album on the Conan O'Brien show.
The latest album is "Give In Kind", and was also produced by John
Platania. Music critic Dave Marsh wrote, "Davis never loses sight of the
blues as good time music, the original forum for dancing on top of one's
sorrows. Joy made more exquisite, of course, by the sorrow from which it
springs."
It is Guy Davis that you'll see on an interactive video display at the Delta
Blues Museum in Clarksdale, Mississippi, demonstrating and explaining the
various Blues guitar styles.
He's also very proud to be involved with a project produced by his friend Larry
Long, called "Teaching Tolerance". It's a CD collection of enriching
songs combined together to help teach diversity and understanding. It will be
distributed in February 2004 by the Southern Poverty Law Center, and sent to
every school in the country.
Check out his website http://www.guydavis.com
for more details and photos.
Big Bill Morganfield made a "Blues in the School" visit to Silverspring School
to answer student questions about blues music and his experiences as a blues musician. Mr. Wihak's grade 5 class and Mr. Jones' grade 6 class had many questions for Bill to answer. Bill is a former teacher and the students warmed up to him quickly. Students lined up for autographs and Big Bill kindly obliged. THANKS Big Bill!
Big Bill Morganfield performed two sizzlin' sets at The Bassment on Thursday, September 30th. The enthusiastic crowd gave Big Bill and his touring band a standing ovation. He came out for an encore. People will be talking about this show!
Big
Bill Morganfield wants to keep his father's heritage alive. The son of the
late blues legend Muddy Waters, Big Bill's 1999 debut album, Rising Son,
received the 2000 W. C. Handy Award for Best New Blues Album. The album
showcased his economical guitar playing and a rumbling baritone voice to
match his 6'5" frame. Born in Chicago in 1956 and raised in South
Florida, Bill earned bachelor degrees in English and Communications and was
a teacher during the day while learning to play traditional blues. He turned
to music after Muddy's death in 1983. Since that debut, he has toured
steadily. He comes to his Western Canadian tour after a British blues club
appearance and will resume his European tour later in November.
Bill carries Muddy's spirit and love for the blues, and says he feels a
spiritual bond with his father when he's on stage. Big Bill considers
himself a historian in some respects. "The music I take around when I
perform has a historical significance to it in that it represents a certain
time in our history that isn't around anymore. I guess that's where my daddy
and John Lee Hooker, all those guys, are historians, because that art form
they're carrying around is just rare and dyin' out - the true blues form. I
remember when I went to the W. C. Handy Awards, James Cotton and Pinetop
Perkins were doing a couple of numbers together, and it gave me the chills.
It's beautiful."
His
latest CD, Blues In The Blood, documents the maturation of Bill's
musical skills as a guitarist and songwriter and certifies that he is now a
major talent in his own right. It not only features Bill's distinctive,
window-rattling voice and scintillating slide guitar, but also showcases him
as a songwriter, with all the songs having been penned by Morganfield except
for one Muddy Waters cover. Co-producer Bisesi said, "I was so
impressed by how much Bill's songwriting skills have improved. It was
obvious that he's deep into these songs, that they are close to him. As he
said to me, 'I want people to know I got this in me.'"
Official Web Site: www.bigbillmorganfield.net/
Record Company: http://www.blindpigrecords.com/artists/Morganfield,+Bill.html
To kick off your summer celebrations. the Saskatoon Blues Society has joined with Northwind Entertainment to present:

ELLIS HOOKS and his band
Friday, June 18th
at the Cosmo Seniors Centre, 614 11th St. (just off Broadway)
The music starts at 9 pm, doors open at 8 pm
Tickets: $10 for Blues Society members and others $15
Tickets available at H.E.L. Music on Broadway or at the door.
This will be a licensed event, featuring Big Rock products.
Ellis Hooks, born in Alabama, has gone from being a New York street
musician to recording albums for Artemis Records, European tours to a
Blues Foundation nomination as Best New Artist at the W.C. Handy
awards. If you love the soul or rhythm&blues side of the blues, you'll
have a good time with Ellis and his band.
For his full bio, check out
http://www.artemisrecords.com/hooks_bio.aspx?abbr=hooks
Call Rob (Northwind Entertainment)653-0901 or Jeff (Blues Society)
343-9587/373-3397 for details.
COLIN LINDEN
The Bassment
Friday, April 16th
Doors open at 8:00 p.m.
Show at 9:00 p.m.
Tickets :
$20.00
The tickets are selling well, so don't count on tickets being there the night of
the show. Drop by H E L Music, McNally & Robinson, Blossoms, or the Elephant
& Castle to get your tickets. It promises to be a terrific evening of
acoustic blues by an outstanding Canadian performer who is internationally
recognized performer and producer.
COLIN LINDEN
'BIG MOUTH'
Colin Linden is a man of many talents. Colin is an accomplished singer, songwriter, guitarist and producer. He has played on over 150 albums and produced more than 30 CDs. Colin has worked with artists such as Bruce Cockburn, Colin James, Leon Redbone, T-Bone Burnett, and The Band, just to name a few.
Colin began playing acoustic guitar before he turned eight, buying his first guitar from his older brother for $5. Developing a love for the blues at an early age, Colin met his hero, the legendary blues man Howlin' Wolf, a.k.a. Chester Arthur Burnett, at a Younge Street tavern when Colin was only eleven years old. After begging his mother to take him to the matinee performance, they arrived three hours early at the Colonial Tavern to get a good seat on the balcony. As luck would have it, Howlin' Wolf was having lunch at the side of the stage and Colin walked right up and introduced himself. They spent three hours talking about the blues that afternoon. From that day on, the two developed a friendship that lasted until Wolf died in 1976, and to this day Howlin' Wolf remains Colin's biggest inspiration. A very similar experience presented itself to Colin when he was touring through Regina at the age of seventeen. He met an extremely talented eleven year-old guitarist who shared his love of the blues and immediately latched on to him. Today, we know this young man as Colin James and their friendship and collaboration has lasted for over two decades.
Colin received a Grammy nomination for his contributions to the Nashville based 'Tribute To Howlin' Wolf' CD. Colin is slowly getting the recognition that he deserves. One of Toronto's most prized musicians, Colin recorded his first album with the legendary blues man Sam Chatmon in 1979, followed by the release of his first solo album a year later, 'Colin Linden Live'. In 1988, Colin released his first disc on Sony Music Canada's Columbia label entitled, 'When The Sprit Comes'. Since that time, Colin has kept himself quite busy. He has played in Bruce Cockburn's band and produced a number of Cockburn's albums. As a session guitarist, he has played on recordings by Dwayne Steele, The Band, Amy Sky, he wrote the hit 'Guitar Talk' for Michelle Wright, and produced Sue Foley's multiple Maple Blues Award and Juno winning album 'Love Comin' Down'. Colin also co-wrote and produced many of Colin James' albums, including the Juno Award winning 'National Steel'.
Though much of his time is spent working behind the scenes with fellow artists, Colin fully enjoys focusing on making his own music. He has released six of his own albums and has received much critical acclaim over the years. His fourth release in 1994, 'South At Eight North At Nine', won the Blues / Gospel Juno Award. In 1996 Colin won another Juno Award in the 'Blues & Gospel' category for his production work on Lennie Gallant's 'The Open Window'. Colin released 'Raised By Wolves' in 1997 to extremely high praise and excellent reviews. In February 1998, Colin shared the Maple Blues "Producer of the Year" award with Colin James for his work on James' 'National Steel' CD. Colin received a Grammy nomination in 1999 for his contribution to the Nashville-based 'Tribute To Howlin' Wolf' disc.
In 1996 Colin divulged himself into what he called a "Side Project", the super-group Blackie and the Rodeo Kings. The group consisted of Colin, Stephen Fearing and Junkhouse frontman Tom Wilson. Formed because of a mutual love and appreciation for the music of William P. Bennett, Blackie and the Rodeo Kings received a Juno nomination for their tribute album to Bennett, titled 'High and Hurtin'. In 1999, Blackie and the Rodeo Kings issued their second album, the 2000 Juno Award winning two-CD set 'Kings of Love', a collection of original tunes and covers of songs by Bruce Cockburn and Murray McLauchlan, to name a few. In 1999, at the prestigious Toronto Arts Awards Colin was presented with the Music Award for his contribution to Music by The Lieutenant Governor of Ontario, Hillary Weston.
At Canada's 2000 Juno Awards, Colin was repeatedly acknowledge and recognized by the music industry. He won three awards. He won a Juno in the 'Blues' category as producer for Ray Bonneville's 'Gust of Wind'. Another Juno in the 'Roots and Traditional: Solo Artist' category as the producer of Bruce Cockburn's 'Breakfast in New Orleans, Dinner in Timbuktu'. Another Juno Award in the 'Roots and Traditional: Group' category as a member of Blackie and the Rodeo Kings.
Although Colin was born and mostly lives in Canada, he and his wife now spend part of the year in Nashville where Colin's profile is rising considerably. It was there that he received a call from his good friend T-Bone Burnett, who asked him to come to a film set and to teach a young man how to play the blues guitar. Not only did Colin teach the actor how to play, but he also ended up playing a version of "Hard Time Killing Floor Blues" that was used in the film! That film is titled 'O Brother Where Art Thou?'
Colin performs a version of this song as a bonus track on his latest release titled 'Big Mouth' which will be released in Canada on May 15th, 2001. Big Mouth is Colin's best recording to date! On this new release Colin returns to an old raw-blues style of music, with a few touches of roots-rock. Special guests who join Colin on this album are: Keb' Mo', Lucinda Williams, Jonell Mosser, Bruce Cockburn, Jessie Alexander and Lee Roy Parnell.
Colin thinks it will be at least 20 years before people recognize him as a "cool, old, blues guy". However, with his countless contributions, and endless devotion to creating music, Colin is and will always be at the heart of the Canadian music scene.
(Above courtesy of http://colinlinden.com/about_colin)
THURSDAY, FEBRUARY 19th
Kick Off Party with Nigel Mack & Double D
and
The Double Dare Devils
at
Bud's on Broadway
(10:00 p.m.)
$3.00 Admission
---------------------------------------------------------------------------
Tickets for the following events are $7.00 each and are available at Bud's On Broadway, H.E.L., and Tramp's (8th St. and Downtown locations)
FRIDAY, FEBRUARY 20TH
Steve Slade with No Restraint
and
Manitoba Hal
at
The Bassment
(8:00 p.m.)
Tracy K
and
Rag Doll Blues
at
Bud's on Broadway
(10:00 p.m.)
SATURDAY, FEBRUARY 21ST
The Delta Dukes
and
Del Ryan
at
The Bassment
(8:00 p.m.)
Mocking Shadows
DVD Release Party
at
Buds on Broadway
(10:00 p.m)
--------------------------------------------------------------------
SUNDAY, FEBRUARY 22nd
Windup Party at Winston's Pub in the Senator Hotel
B.C. Read and Friends
(Free Admission)
---------------------------------------------------------------------
SATURDAY, FEBRUARY 21ST
FREE WORKSHOPS
"Slide Guitar" at H.E.L. with B.C. Read
"Blues Harmonica" at the Bassment with Sherman Doucette and Ernie Kurz
AFTERNOON JAM at BUDS ON BROADWAY
Hosted by Ed Dagenais
(3:00 p.m.)
-----------------------------------------------------------------------------------------------
2ND ANNUAL WINTER MELTDOWN BLUES FESTIVAL IS PROUDLY SUPPORTED BY THE FOLLOWING SPONSORS
BIG ROCK BREWERIES
BLUE INSURANCE LTD.
BLUE LINE TAXI
ELEPHANT & CASTLE
HAMILTON
PHOTOGRAPHICS
H.E.L. MUSIC SUPPLIES LTD.
MARK'S AUTO BODY
PAGE ONE DIGITAL
SASKATCHEWAN LOTTERIES
THE STAR PHOENIX
SENATOR HOTEL
Another Successful Saskatoon Blues Society Event
ANDERS OSBORNE
Your directors were pleased to have presented
ANDERS OSBORNE
from New Orleans in a solo acoustic performance at
The Bassment
on
WEDNESDAY, NOVEMBER 26th
Who's Anders Osborne?
Originally
from Sweden, Anders has lived in New Orleans for the past 13 years and has
become one of that city's leading musicians. He has recorded seven albums
for Sony and Shanachie. Often compared to Van Morrison and Jackson Browne
vocally, he is an evocative guitarist, especially when he's playing slide.
As a songwriter, the multi-Grammy nominated artist has written hits or award
winning songs for blues artists such as Keb'Mo, Jonny Lang, and Tab Benoit.
Anders holds a position as one of Universal's top staff writers in Nashville.
You won't want to miss this very special performer. ANDERS has never played in
Saskatoon before and is on a Western Canadian tour between Chicago and New York
dates.
B.C. Read and Anders Osborne Performing a few tunes
MORE ON ANDERS:
From the All-Music Guide:
"Young and up-and-coming is the best way to describe guitarist, singer and
songwriter Anders Osborne. Osborne's fame has spread beyond the borders of
New Orleans, a city where he first cut his teeth and developed a
reputation for incendiary live shows." "Osborne artfully
blends blues, funk, soul and classic R&B to create his own distinctive
synthesis of styles. Osborne's most widely available album is 1995's "Which
Way To Here", recorded for the Okey/Sony label; two other
independent-label releases may still be around in record shops. "Live
at Tipitina's" appeared on Shanachie in 1998, followed by
"Living Room" the next year. The
introspective "Ash Wednesday Blues" was issued in early 2001.
"
Anders
Osborne serving up some blues from the bayou at The Bassment
From a review of Living Room by George Graham:
"Anders Osborne absorbed the rich musical scene of New Orleans,
incorporating it into his music, which is basically blues, but is actually
rather wide-ranging. He's a great slide guitarist, but also a
very good singer-songwriter, capable of penning some great lyrics and
creating songs that would stand up well in an acoustic folk setting. He also
draws on influences including second-line brass bands,
Professor-Longhair style rumbas and even Memphis soul."
From a review of a show when Anders opened for Robben
Ford:
"Osborne is a top-notch performer whose sweaty slide licks whisk listeners
to the swamps of Louisiana and who sings with all the soul of a southern blues
legend."
From Blues Access magazine:
"{Osborne] cooks up a blues based gumbo like you have never heard
before"
Anders Osborne in a sizzling performance recently at The Bassment
Check out the following website for more information on Anders Osborne
http://www.shanachie.com/
Another
Successful Saskatoon Blues Society Event
The Twisters
Another Successful Saskatoon Blues Society Event
David "Honeyboy" Edwards at The Bassment
One of
the last living links to Robert Johnson (his autobiography, "The
World Don't Owe Me Nothing" is a collection of great stories about
Johnson, Big Joe Williams, and Little Walter as well as his own youthful
escapades, coinciding with a critically-acclaimed album by the same name),
Chicago blues guitarist David "Honeyboy" Edwards has finally gotten a
bit of the due that should be his right. He has toured worldwide, and recorded
for over a dozen labels, both solo (Rolling Stone: "(Edwards) shows that
you don't always need a band to move people's feet") and with bands, and
though he's lived in Chicago for more than 40 years, his music is still firmly
rooted in the Mississippi delta.
Born in
Shaw, Mississippi in 1915, Edwards learned guitar from his father, Henry
Edwards, and friends Tommy McClennan (who "Honeyboy" would long play
with) and Robert Petway. At the age of 14, Edwards left for the road under
guitarist Big Joe Williams. During the next few years he played on street
corners, in river boats, brothels, house parties, and delta juke joints with folks like McClennan, Homesick James, Big
Walter Horton, Yank Rachell, Charley Patton, Son House, Tommy Johnson, Robert
Petway, and Robert Johnson. Edwards was with Johnson the night he died, and his
statement that Johnson was poisoned by a jealous husband is considered most
credible by historians...
During the 1930s, "Honeyboy" moved to Memphis, where he played
regularly with the Memphis Jug Band, Will Shade, Memphis Slim, Roosevelt Sykes,
Big Walter Horton, and Little Walter Jacobs. In 1942, Edwards began his
recording career, cutting fifteen tracks for Library of Congress' Alan Lomax at
Stovall's Plantation, as well as several Texas labels, and Sam Phillips' Sun
Records in Memphis.
In 1953, Edwards moved to Chicago, building a reputation as one of the city's
best slide guitarists. He recorded for Chess records, and performed -- both in
clubs and on street corners -- with Willie Dixon, Muddy Waters, Otis Spann,
Sunnyland Slim, and Howlin' Wolf.
"Mr. Edwards," says the New York Times, "is among the last
authentic performers in the blues... everything he does is infused with the
rocking drive and hypnotic modal flavor of depression-era blues at its most
intense."
"Despite his advanced age," says the Chicago Reader's David Whiteis,
"Edwards can still attain an almost frightening intensity, delivering
lyrics in a dark, throaty shout and ripping single-note phrases from his
fretboard as if he were tearing them out of the Delta soil itself."
[....quoted from 'Center Stage', Chicago review]
Check out his listings in www.allmusic.com.
www.folkways.si.edu, www.earwigmusic.com
and other sites...
It was
a distinct honour and privilege for The Saskatoon Blues Society to host/present
Honeyboy
Edwards on Sunday, March 30th and Monday, March 31st.
On Sunday, the film "Honeyboy"
was shown to an appreciative audience. It's a powerful telling of his life and
the history of the blues. Honeyboy was there for the entire evening and answered
questions at the end. The video projector provided by The Sony Store at Midtown
worked
beautifully - very sharp image on the screen.
Monday
night was a very special evening. Les Copeland
opened and was very positively received. Honeyboy played and sang the blues - as
real as you'll ever going to find them. Off stage he was warm and gracious
to autograph seekers and well wishers.
We would be pleased to receive your comments and reviews on the two nights -
either reply to this and send to our society's e-mail.
Some memorable moments in time...
David "Honeyboy" Edwards performing at The Bassment on Monday, March 31, 2003
Saskatoon Blues fans listening to Honeyboy at The Bassment
Les Copeland and Honeyboy performing at The Bassment on Monday, March 31, 2003.
The Saskatoon Blues Society presented the Saskatoon premiere of “HONEYBOY”, a music documentary film from Free Range Pictures (2002, 82mins, colour). Director Scott Taradash documented the life and times of 87 year old David ‘Honeyboy’ Edwards and interwoven among Honeyboy's colorful storytelling and raw guitar and vocal performances are appearances by B. B. King, Willie Foster and Waymon Meeks, who lend personal insights on the Deep South and the significance of the Blues. [check details of film at www.honeyboyfilm.com ]
Honeyboy was present and commented on the film and answered questions following the movie:
Blues in the School
Silverspring School visit on Monday, March 31st - the plan was to have
Honeyboy play and talk with elementary students. Unfortunately, he wasn't up to
it, but Les Copeland filled in and played some blues tunes and talked about
blues music origins. Prior to the visit the children watched some of the
"Honeyboy" documentary. By the end of the hour, they had a better
sense of the roots of the blues.
The Saskatoon Blues Society reports that it’s
first annual “Winter Meltdown Blues Festival” has been an enormous success. Close to a
thousand blues fan attended events over 8 venues. Three shows were complete sellouts.
Audiences were treated to super performances from Tim Williams, Jerry Doucette,
Mike Clark, Amos Garrett, and Jack Semple. Local artists, such as B.C. Read, Don
Griffith, Ernie Kurz, and Megan Lane demonstrated that Saskatoon continues to
develop talented musicians. Fans had the opportunity to experience a wide
variety of blues from traditional delta blues to rockin’ blues, with some jazz
thrown in by the Peter Dyksman sextet from Regina. The Festival closed with an
Acoustic Blues Jam party at Winston’s which included a surprise appearance by
Big Dave McLean.
There were many outstanding performances as the musicians responded to the
appreciative audiences. Vancouver blues rocker Jerry Doucette, making his first
appearance in Saskatoon in many years, was impressed by the response and
pleasantly surprised with the audience quickly singing along to his hit “Momma
Let Him Play” that he used to close the show with at Buds On Broadway.
The interplay between legendary guitarist Amos Garrett and saxophonist Mike
Clark at The Bassment was wonderful. With the support of music stores (H E L
Music, Mother’s Music, and Long & McQuade) fans and musicians were able to get tips and
insights from the visiting artists at workshops. The Winter Meltdown Blues
Festival attracted people from all over the province - from Melfort to
Gull Lake.
Megan Lane and Deep Set Soul tore into a sizzling opening set for Jerry Doucette at Bud's on Broadway on Friday, February 28th.
Jerry Doucette took the stage at Bud's on Broadway and impressed the crowd at the sold out venue on Friday, February 28th.
Mike Clark Band with Amos Garrett performing to a full house at The Bassment on Saturday, March1st.
Jack Semple wowed the audience with his guitar mastery at Bud's. Jack was on fire on Saturday, March 1st.
B.C. Read performing at the Winter Meltdown Blues Festival Windup at Winston's in the Senator Hotel.
George Tennant performing at the Winter Meltdown Blues Festival Windup at Winston's in the Senator Hotel.
Ernie Kurz performing at the Winter Meltdown Blues Festival Windup at Winston's in the Senator Hotel.
Big Dave McLean, George Tennant, and Ernie Kurz perform at Winter Meltdown Blues Festival Windup at Winston's in the Senator Hotel.
Big Dave McLean's surprise performance at Winter Meltdown Blues Festival Windup at Winston's in the Senator Hotel.
Blues Karaoke
Glenn Coulter "lowering the bar" "Laura" aspiring blues songstress
"Small Change" from the Manitoba Bisons hockey team singing the blues at our Windup Blues Karaoke
Manitoba Bisons taking in some of the blues entertainment..."Small Change"
(All photos by Reg Wihak)
Volunteers
In addition to the Directors who worked hard before and during the event, a number of members and blues fans volunteered their time and made the event a success.
They were:
Allison
Blair
Rylan
Bolt
Joe Dixon Diane Deminchuk
Tom Lemky Delmar Friesen
Derrick Hahn Jonathan Hunt
Tim Hatcher
Kim Lonsdale
Gord Macaulay
Jeff Tkachuk
'Bear' & Betty Millar
Jon Tkachuk
Jake & Wendy
Dreidger
Bob & Betty-Ann Whittaker
Sponsors
SBS
Directors were pleased with the public response to the Festival, given the short
time they had to organize it . The decision was made in January to take
advantage of the Blues Festival in Regina happening the same weekend. Ron Hagan,
SBS sponsorship director, says he was pleased with the sponsor response: “The
immediate commitment of organizations such Northern Lights Casino,
Labatt’s, Investors Group, and Blue Insurance is very encouraging for future
festivals” The Festival was only able to happen through the participation and
partnership of The
Senator Hotel, Buds On Broadway and the Saskatoon Jazz Society. SBS
President, B. C. Read, stated “The fantastic response to our first Festival
guarantees that next year’s event will be bigger and better.”
Bud's on Broadway has been one of the Saskatoon Blues Society's strongest supporters. Thanks!
Bud's is the
first place for members to look for blues music.
The regular Saturday afternoon jam has been the starting
point and 'school' for many musicians who have played professionally.
December 17th & 18th - Sam Cockrell and the Groove
December 21st and 22nd - Amos Garrett
February 10th - Johnny Winter
BLUES FESTIVALS AROUND THE COUNTRY
http://www.festivalfinder.com/blues/Blues.indexed.cfm
or follow the links on our website.
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